First of all I would like to thank Mark from KS Distribution for sending me the FIDUE A65 (pronounced: Fid-oo). They can be found for £50 on AmazonUK and at $65 on AmazonUSA.
Given I’ve heard quite a few things about FIDUE, I was curious to see how they would sound and compare to some earphones I had around the house. Mainly my all-time favourite under £50 earphones, the Fischer Audio Consonance (which has disappeared off the face of the earth due to being discontinued). I was therefore intrigued to see how they would compare to the FA’s and also to the cheaper SoundMAGIC E10s that can now be found for around £30 and something that’s more expensive, such as the DUNU Titan 1 that can be found for £90.
It should be noted that the company ‘harschacoustic‘ was renamed to ‘P.EAR.S‘ – the review has been updated to reflect that, as the product (The SH-2) has remained the same!
First of all, I would like to thank Samuel from P.EAR.S for sending me the SH-2 for review. P.EAR.S was created and founded by Samuel Harsch, also known as the co-inventor of vital audio characteristics of the Audéo PFE series. To this day, the best universal earphones I’ve owned and reviewed is the Phonak Audéo PFE 232, a set of MSRP £400 universal earphones, which only housed two Balanced Armature drivers, but had such an amazing crossover that the two drivers in the PFE 232’s compete with 4-6 driver BA drivers found in other earphones.
Therefore, when I saw Samuel created his own earphone, I was excited to see if I could review it – as I wondered if he improved/added to the PFE 232s sound and created it into a CIEM of his own.
Before getting into the review, I would like to state that this is my first CIEM review, I have previously reviewed/heard a lot of earphones (in excess of 100 different earphones), but never ventured into the CIEM world, as I’ve previously had problems with fit. For example with the 1964-SLV Universal IEM Custom Sleeves, the Custom Art custom tips and even tried going to a professional audiologist in London as an attempt to get a good fit for custom sleeves for the PFE 232s. No matter who I tried or how many times I tried redoing the impressions they didn’t work – and I always had the impressions done by a professional audiologist.
I was therefore going to give up trying until I saw the SH-2s, where I thought to myself – I have to give this one more go and if it fails, then I’ll give up for good on CIEMs.
I was lucky enough to get good impressions at my local Specsavers for only £29 – which I was sceptical about. I will expand on this in the comfort section.
First of all I would like to thank Yamaha for sending me out the EPH-M200s. I hadn’t ever heard Yamaha earphones, despite previously reading a lot of praise for the Yamaha EPH-100 – an older model, which to me looked well designed.
First of all I would like to thank Mark from KS Distribution for sending me out the SoundMAGIC ES19S for review.
After the having reviewed both the SoundMAGIC E80 and SoundMAGIC E10, I was intrigued to see how the cheapest in-line SoundMAGIC earphone would compare, and more so if it would be able to provide good value for money, like the E10 did.
The ES19S can be bought on AmazonUK for around £20.
I was unable to find US pricing or availability of it, but if I do come across it in the future, I’ll add a link and price.
First of all I would like to thank Future Sonics for sending me out the Future Sonics Spectrum Series G10 for review. More information about the earphones can be found on Future Sonics’ website.
The G10 can be found on AmazonUK for £150 and on AmazonUSA for $200.
After having reviewed the Future Sonics Atrio M5 with MG7 Driver, I got extremely intrigued with the announcement of the G10. I actually got notified by it by a follower on twitter!
What the MG7s had was a unique sound signature that till this day had earned them the titled of the “Sub-Bass Kings” – one of the best earphones for EDM music, due to their relatively low mid-bass impact and their sensational sub-bass response, which coupled with their decent mids made them an excellent buy, especially at their (reduced) price of £60. The biggest problem the MG7s had was their overall soundstage and somewhat lack of emphasis in the mid-range. I was therefore curious to see how the G10s would compare, almost 3 years on.